mine

I'd been having panic attacks when I went out--which is fine, because I stopped going out. I had so many projects to work on, and finally I had the time to deal with them. But she'd been pestering me about it. Oh, she pretended she's concerned, that she wanted to help, but she clearly didn't understand. This was about her, and I was tired of it. After a few days of it seeing her would set me off, then hearing her voice. After that we communicated with emails--and even then I ignored most of hers. I had things to be doing and she was only distracting me.

It was perhaps a week since I'd had any contact with the outside world when she came over unexpectedly. I cowered in the corner, clutching at my work--the work she'd no doubt come to destroy. She touched my hand, and the nauseating scraping of skin on skin nearly made me vomit. Her voice rang like thunder in my ears. She burned like the sun, dazzling my eyes until I could see nothing else.

For what seemed like hours there was nothing but her presence. Then I found myself blinking in the daylight, throngs of people walking by as if it was no big deal. A park of some sort, then. No sign of her, no sign of my work, no idea where I was.

Someone caught my eye and smiled. My heart started to pound, sure the attacks would come back, but nothing came. I smiled back. The world kept spinning.

yours

You were always something unattainable, something perfect, but nevertheless you saw something you liked in me--was it my crooked smile, the way I can turn a phrase? You never said. But you must have known how I admired you, how you took the world around you and fashioned it into something beautiful. You must have, because otherwise why would you have offered to let me in?

And it was beautiful--more than I could have imagined. But it was there, watching you work, that I realized that this was not for me. I could never be a part of it--and it wasn't just a thing you did, it was who you were. It hurt, watching you create something beautiful from someone like me, and I couldn't let that continue. It was wrong for me to become a part of the tapestry of your life.

There was a strange moment right before we parted ways, standing outside your apartment--a moment where I'd meant to kiss you farewell, to let you down gently, to part on good terms. Perhaps you'd remember me fondly, but more likely you wouldn't remember me at all. Not when there was so much else in this world, so much more interesting than me.

That moment was shattered when one of us noticed a man sitting there in his car, just watching us. We stood there awkwardly, waiting for a few words, then you stepped inside, leaving me standing on the street, not quite sure what to make of any of this. I shuffled home. We never spoke again. I didn't want to get in the way.

ours

When we first met, we would go exploring together, climbing rooftops and exploring lost places underground, together, scraping our hands and growing calluses, together. It was ours. We fell in love quickly, as far as these things go, and I started taking a camera on our expeditions, snapping pictures, taking notes, documenting our times together.

The project of documentation started taking up more and more of my time--I wanted this to be perfect for her, so I spent all of my available hours on it. Making sure the pictures are just so, that the words are perfect. I wanted the world to know that these explorations, this thing of ours, were beautiful. And my hands grew soft, the cuts and scrapes healing, as I worked. And she implored me to go out once more, to explore with her, but I said no. And at first she was patient, because this thing was ours, and she would not violate it.

But as the project grew in scope and the weeks wore on, I noticed that she had new scrapes on her hands, new calluses. She would come home covered in dirt from the lost places we once explored together. Eventually I grew angry and confronted her about it. How could she do this? How could she abandon me, abandon these sacred moments we once had?

And she smiled and touched my cheek with a callused hand and told me that it wasn't ours anymore. Then she was gone, exploring lost places without me, and me with nothing but pictures and broken words to remember it.

celebratory

As I walked home last night a stray firework went off inches from my face, dazzling me with its brilliance and leaving my ears ringing on the way home. The people who had lit it were trying to surround me, and I presume asking if I was all right, but I could hear nothing, and with the afterimage still dancing around on my retina, they looked somehow less than human.

The ringing hadn't stopped when I got home, nor had my eyes cleared. I took a shot of whiskey as a nightcap and slept. In the morning, I found myself in a world of overwhelming sound and color.

I tried to get through work, but it was impossible to focus, especially with people around. People--all these stupid, provincial people, so caught up in themselves they can't even see the world around them--were impossibly beautiful, each in their own way, even people I despised.

At lunch I told my boss I was feeling ill and I went home as quickly as I could, drawing the blinds and plugging my ears, though neither of these things helped. And I lay very still for a very long time, waiting for it to pass.

false vacuum

Various scientists have confirmed that it's entirely possible the world will just spontaneously end. One of the ways that might happen is the idea that, basically, we're wrong about the laws of the universe. All of existence might just stop being "existence." Or maybe it would just be destroyed. I'm not pretending to understand. The point is it doesn't take much to destroy the world. It only takes the easiest thing in the world: we have to be wrong. And if there's one thing I'll bet anything on, it's that.

I always used to find this terrifying. Everything could end in a moment of perfect agony, or maybe not even that. How can we deal with that?

But it's all hinged on the basic fact that everything we think we know is wrong. All our perceptions and our tiny human notions are wrong. That bothered me for a while, too, but I stepped outside this evening, and the wind was blowing and there wasn't a star in the sky, but the whole city seemed to have this shimmering beauty about it, all mutable and alive. Every thing we've gotten wrong about it is nothing but iridescent potential. Every time we break another law of physics we get closer to the chaotic things we were meant to be.

quiet places

Since I was very young I've been very sensitive to the timbre of a place. (Timbre? Is that even the right word?) My father's room--and it has always been my father's room--is a quiet place, a forbidden place. The disused rooms and corners always felt unsettling to be in. I always assumed it had something to do with the fact that I was not allowed there, or merely just knew they were unused.

But I sit in the same place whenever I can, and when I'm displaced from my usual spot I feel uneasy. And I only connected this to the forbidden places from my youth--forbidden places that I still find sometimes, walking into an obviously haunted building and feeling nothing more than the urge to run away, or entering the house of a guest and finding a room full of dark wood that I feel hasn't moved in lifetimes.

It's not that the places feel strange because they're unused. They're unused because they're forbidden. We aren't meant to be there.

a time and a place

She's dead. I can't get my head around that.

I met her the night before at a party. We drank enough that we decided the party was lame, since she had a flask anyway, and made our way through the streets, making out, making ourselves a nuisance to anyone still up and out themselves. It probably doesn't matter.

I wish I could tell you I knew what drew me to her, or probably more importantly, her to me. But once we'd talked for a while I sensed it. She was running, and running from something big. The sort of thing you can't run from. Maybe she thought I could protect her--"it's like you get me," she slurred in my ear, her lips so close I couldn't hear any words. And we certainly walked the streets feeling like we could take on the world. Bring on the monsters, I don't care!

But after we'd gotten thoroughly lost and slightly less drunk we talked. It was a conversation you can only have with someone you know you'll never see again. We didn't talk about running, or monsters, but the fear was back. Had I failed, or had I just not had a chance to succeed yet? Or maybe--but anyway, we got a cab and went back to my place, and then she was gone in the morning and then I heard through the grapevine that she was dead. Some freak accident, I guess.

And here's me wondering what really killed her. Did what she was running from finally catch her? Or maybe she stopped running. Did she say something about that? My memories of the evening all ran together and they didn't contain much in the way of words.

Of course they wouldn't show me where it happened. Of course I wouldn't want to anyway, and even if I did I wouldn't find anything. This was all just some weird nervous reaction to hearing some random one night stand just died the next day. Meanwhile I'm locking my doors.

storm chaser

You just laughed, and lightning struck.

She trails destruction behind her--everywhere she goes, a terrible storm. Fire and lightning and wind. I follow her on the news: hundreds missing, presumed dead. Millions in property damage. A way of life uprooted, or not even uprooted--ripped from the earth by impossible winds. Survivors give interviews. Octogenarians who've lived here their whole lives say they've never seen such destruction. Now everything's gone. What can they do? What can anyone do against something so senseless?

I used to know what that felt like, but I was thunderstruck, electrified, blown away. And then the storm was gone and I was left reeling under a clear sky, lightning flickering on the horizon. And what was there to do but follow? I didn't even pack.

She led me through storm-wracked lands, ancient trees torn down and strewn across the road, or split in two by terrible lightning, but I could only see the distant flickering light. But I was getting closer. I could hear the distant rumble of thunder, feel the howl of her gale. And the radio buzzes about the latest devastation, the forecaster saying where it will hit next, and then I realize it: tonight's the night.

I drive until she is all around me, and I can't hear for the blinding rain and the deafening thunder. And through the constant lightning I can see a massive funnel touching the ground, and even the rain is drowned out by that perfect roar. The sky turns green and she pelts me with hail, and I know it's headed right for me.

call the storm

I once wrote something where I expressed sadness at the state of the world--all the horsemen of the apocalypse lined up and waiting to charge. You can imagine the smug looks on their faces--"and see thou not hurt the oil and the wine" indeed--but they just waited. They're still waiting. At the time I must have felt that the impending doom of society was somehow lamentable.

But now every time I read of a disaster I'm on the edge of my seat. Maybe this will be the one. Maybe this time the world will finally end. It's been so close for so long. And yet the horsemen shuffle their feet and look at their watches like they're waiting for someone to show up.

And after the latest disaster turned out to be a no-show, I started wondering: maybe it's me they're waiting for? Or not me specifically, but someone has to get this show on the road, right? So I started researching. I got old books of apocalyptic lore and read up on my demon-summoning. I learned the signs and seals. I knew what happened when the bowls were poured out and the trumpets were sounded. I was ready.

So tonight's the night. I'm drawing the signs, spilling the blood, saying the words--tonight I end the world. I'm tired of waiting.

some assembly required

This is the first day of my life.

I was slow to wake up this morning, and I became distinctly aware, each time I woke and decided to drift back to sleep, that I was becoming more real, more human, with each passing dream. By the time I was fully awake I was fully human, with all those memories and quirks like I'd been here this whole time.

But the process of waking was enough to convince me I hadn't. Today is the day I started existing. And I feel like I should be terrified--why today? Why me? Why these memories, when they could have been anything? For all I know I could be a weapon, something sent into the future to bring catastrophe to the world. I know I'm not me.

But here I am and I'm not frightened in the least. If I can discard my memories as a fiction, that means there's a whole world out there to discover for the first time. Maybe I'm not free, but until I'm given evidence to the contrary I'll make a spirited attempt at pretending I am.

revisited

I once dated a girl who said that goodness is its own reward, though not in so many words--she would never have used such an ugly turn of phrase. Every word she wrote was beautiful. I must have taken her at her word, because I never really thought about it again--or if I did I never questioned it. It's hard to question something beautiful.

Since I was a kid, most of my endeavors have failed, so I've set my goals low. While my friends were aspiring to become wealthy and influential, I simply tried to be good. And because failure follows in my footsteps I often fell short--aspiring too high, I fell to the same petty cruelties as other humans. I couldn't tell the difference between me and anyone else.

Until suddenly it hit me: where others would laugh it off, I spent my life worrying about it. I couldn't get over it. That was my reward: I cared. And I cared so strongly that even when I finally realized that this was no reward at all, I couldn't bring myself to stop. This was important. There was always that chance that one day the failures would stop.

who has time?

I've started losing days, and I'm not talking about those little dissociative episodes where I just can't remember them. I've been keeping track on my calendar, see. Every day I wake up and mark off that day, and recently days have been turning up missing. This Wednesday, last Tuesday, the Saturday before that. And so on. And I take inventory of my things and where I am and there's nothing mysterious--nothing to indicate that I did something on those missing days and just forgot about my calendar.

So I started asking around--casually, of course. Nobody seems to notice anything weird about the days I've missed. They all remember it, and lots of them seem to think I was there. And how do you press for details when you were allegedly there? The last thing I needed was people to start thinking I was crazy, especially if I really was.

But I couldn't give up, either. So I kept asking, and if anyone noticed they never let on. I kept notes, tried to figure out if there was some sort of pattern. I spent nights going over the data, looking for something, anything, that might explain. But there was nothing.

And then last night someone mentioned my project, and I knew they referred to this--months of data leading to nothing. They said I was working on it on one of the missing days. And did I change anything? Is something different? I can't tell. I can't see anything that I've worked on.

And then: "You seemed to think you'd finally figured something out," they said. "It must feel good to have everything figured out."

recklessly yours

I tried cautious for a while, and it never worked out. Oh, I told myself I wasn't letting things get away--it was a calculated loss, the risks weren't worth it, whatever excuse I could come up with--but, as they say, nothing ventured, nothing gained. I ventured nothing, and gained nothing.

I wish I could say that some introspection or philosophical thought had changed my mind, but we both know it was because I finally met you, and I knew that I'd never be able to keep up with someone so chaotic with meticulous planning and cautious deliberation. You broke me, and within a week I was ruled by my whims--at least as far as you were concerned. And the whims of a cautious man are a wild thing indeed.

But they weren't enough--you left me behind, a force of nature, impossible to keep up with even for the very best of us. But utterly captivating. Of course I abandoned any pretenses of caution for you. I acted on impulse alone. And what's more, after a while, it wasn't just for you anymore. I wanted to. I wondered how I'd even gotten by when day-to-day living wasn't an adventure. When I was too afraid to take risks even when the gains were spectacular.

But nothing could keep up with you. If I were still my cautious self I should have given up years ago--before I'd even started, really. It was a fool's hope at best.

And yet.

song about a man

The people in these songs should have names.

She worried about words and names, because words and names were important. She read articles about how language was a prison and books about how language would set us free, and she agreed with them all. And when life got chaotic she relied on names and words to keep things in order, because these things could never be taken away from her.

But life was always chaotic and it often resisted being described, and so she couldn't impose her order on it. Too much of life defied description. It was enough that she couldn't use her words--the words that carried her through everything--to explain things to others, to convince them, to make them understand. On some nights she couldn't even shape them to her own liking.

And yet, she clung to these words, because words are important, because the alternative was to come unchained from the sun entirely, to plummet endlessly through the dark, away from all suns--so she chose her words carefully. But with each failing she withdrew, into worlds of beautiful words, into worlds she could describe. Sometimes she worried if she was hiding, but she didn't know any other way.

only fear excites us

I've spent so much time running and hiding I never stopped to consider the nature of fear--I just knew that I'd rather run than fight it, and so run I did. That's been my life, because there's a lot to be afraid of in the world. Not just my enemies and my problems, but things like love, friendship, commitment, responsibility. Fear drives me. But I always thought of it as something shameful, something to hide from.

Then someone finally caught me before I could run and I lived in fear of her for years, before I realized: I've never been so alive as when I'm terrified. It's not that I'm happy--it's more real, more visceral than that. I understood why people watch horror movies--only when we're terrified that the worst is going to happen do we live up to that glorious human potential.

So I stopped running--and I certainly stopped fighting, if I ever had. If there was anything I could do it was let it wash over me, live for the thrill of the moment, and damn the consequences. Because this is all there is--fear doesn't just drive us, it defines us. There's nothing else. It's only when we've realized that that we can finally see the beauty to it.

elevator

No light is a light.

I walked into this elevator every day knowing that one day it would fail on me. The way it shuddered and moaned as it took me to my destination--for me and no one else--I knew it would be the end of me. So taking the lift became something of a religious experience for me. I was facing my death every day.

I came into the office late one night because I had some extra work I wanted to do before the weekend, and I stepped into the elevator with the sense that it would never reach the top, that this time it would kill me. It turns out I was almost right. It lurched to a halt well before my tenth floor office, but the door opened. I stepped through--what else could I do?--and instead of an elevator shaft, I found a vast, dark expanse. I could only see a few feet in the darkness, but there appeared to be catwalks and scaffolding, at least enough to walk on.

I walked carefully, but the floor was never treacherous. Eventually the elevator was a tiny speck of light in the distance. I kept walking. It must have been miles now, and my legs were too tired to go on, so I sat down and rested. Was there a point to this, or, for that matter, an end to it?

It hardly seemed to matter. When I'd rested I got up and continued, now taking random turns, losing myself in the lightless expanse of walkways. I felt like I should have been frightened or worried, but I felt nothing of the sort. Instead I felt a confidence I never knew in my daily life, and had a spring in my step I hadn't felt since I was young and full of idiot optimism. I was taking impossible steps in an impossible place, but even that couldn't stop me.

impress me

Guess what I've been reading.

She orders a coffee just for the look of things, and sometimes she pretends to drink it. He drinks his, and when his eyes leave his own cup it's only to glance at hers. She smiles at this: he is afraid to meet her gaze, to look at anything besides her hands as they cradle the cup, turn it, raise it slowly--he is afraid and, she can see in his frightened eyes, he is not keeping up, either. He's still thinking about his coffee and she is talking, the rain and the wind and the storms, and weather systems a hundred miles away, still forming in the turbulent Pacific, ready to rip across the rain-soaked land, rend trees apart, plunge communities into darkness.

And as she tears across the landscape of his mind he tries to smile at some turn of phrase, even to interject something--his chance for a joke--but she has already moved on from there, leaving ruin in her wake, and so he returns to his coffee. He can keep up with his coffee, which is white and sweet, which he fidgets with like a nervous habit. She smiles again and lets the silence take him, and he fills it with nonsense, apologetic babble, disjointed thoughts, stumbling over themselves, trying to impress and failing--FEMA in the wake of her devastation, bumbling around, unable to make sense of what has happened much less do anything with it, much less move on.

Still he talks, and now it's her turn to focus on the coffee--dark and bitter and burning hot, but not nearly hot enough for her--she could be drinking the sun, drinking supernovae, drinking the jets from black holes, and it would still feel so cold--so she generates her own heat, burns up whole galaxies and leaves nothing standing.

"I'm not waiting for the universe to grow cold," she says, and this time he looks at her, startled. "And you're going to have to learn to keep up." And she finishes her coffee and leaves with a laugh.

cream invades the coffee black, reprise

I used to take my coffee black. I never understood these weird little rituals she had of pouring and stirring or not stirring and watching the little spirals spread through her coffee's unsullied surface. It all seemed so unnecessary--I guess I just thought of coffee as nothing more than something to drink. Energy in the mornings, keeping long nights longer, sure, but it was, first and foremost, a beverage. I used to believe a lot of strange things.

We never discussed it, of course. I became used to her rituals, and she became used to what, if I ever thought about it, I probably thought of as my no-nonsense approach. I hadn't yet realized that there's no such thing as "no-nonsense." But there were worlds of meaning being exchanged, even if I wasn't aware of it. Perhaps neither of us were, but I think she understood. She was much better at nuance than I.

I probably should have noticed, for instance, that eventually her ritual got shorter. Sometimes she'd forgo the cream or the sugar. And somehow when she did pour and stir--and she always stirred now--it didn't feel like a ritual anymore. But who was I to wonder about someone's tastes changing? Nor did I really pay any mind when the waitress asked if I wanted cream and I said "sure, why not?" instead of my usual "no, I'm good."

Then one day we were supposed to meet for coffee and she wasn't there. She wasn't anywhere. She'd disappeared, like she always talked about doing--I didn't know she'd meant it. I started to take cream in my coffee then, and since then I've started doing all sorts of other things, like pay attention to the little things.

state line, reprise

We crossed from Washington to Idaho in high spirits under a cool evening sky, with the lights just beginning to shine along Stateline Road. From the freeway you couldn't miss that you'd just crossed the state line--not because of the signs but because the state line was shimmering and alive. It wasn't long before we'd left Idaho behind--some winding through the countryside, stopping once for gas and something to drink--and then we were in the vast expanse of Montana, an endless night drive through spring snow in the mountains.

I remember very clearly what happened in which states, even though the terrain blends together, and in that part of the country I couldn't tell you a photograph of one state's landscape from another. It's important, somehow. After Montana, which stretched on forever, it was North Dakota, and just knowing that we'd finally left the state behind put me at ease, even if I knew that North Dakota would be just as dull.

There wasn't much else interesting on the road, but one time, much later, when I was visiting a girl I knew in Wisconsin, I took her out for a walk and we walked along the state line as well as I could manage it. She humored me, I think, but she didn't understand, not really. There's a magic to it, though.

born for trouble

I try to live my life in such a way that it never hurts when I cede ground and nobody will notice when I flee by cover of darkness. There's no point fighting battles you can't win, and I've long ago resigned myself to the fact that I simply can't win any of them--not really, not in a meaningful way. So instead I run. And when I can't run, I surrender. It's always been easy.

But life is made up of these little moments where everything falls apart, and where suddenly that matters. It came lying on the grass in a park north of town watching the clouds, lazily arguing over whether it was going to rain, because of course neither of us knew--it was that sort of a sky. And then the raindrops started falling--gently, lightly, like she knew they would, and I admitted defeat and listened to her laugh and at that moment I realized: I can't run away from this one.

It's strange how you perfectly remember moments like that. The world had been collapsing around me for months, and I was okay with that because I was ready to go gentle into that good night. But even the path of least resistance sometimes takes unexpected turns, and suddenly I cared. I wanted to fight it. I wanted to rage and scream--ineffectually, all--against everything collapsing around me. Anything to keep me from taking the next train south.

I could have been on the train months ago. I should have been. But something stopped me--nothing has ever stopped me before. Now I'm trying to fight something, and it's a losing battle, but I'm trapped and somehow surrender is not an option.